E61951Built on a composition drawn up by Marcel Dupré and with part of the pipework recovered from the organ previously built by Mutin.1981Miscellaneous interventions by Gonzalez, among which new wind chests. 1994The organ was dismantled in 1994 by Marc Hédelin in order to allow the rehabilitation of the former Conservatoire National Supérieur de Musique into the Conservatoire à rayonnement régional de Paris1997Major reconstruction of the organ by Bernard Dargassies. The wind chest of the Positif has not been taken back. It was reassembled into two new expressive chambers; the Zinc-Montres are fake. The console, now mobile, has been restored and repackaged according to the new composition of the stops. The transmission is multiplex + MIDI.
The Jacquot-Lavergne organ replaced a Charles Mutin instrument (II/22) dating from 1911. It featured the famous Plein-Jeu known as “du Conservatoire”, developed by Mutin and Guilmant, based on 1 1/3, with breaks on f², c³, f³ and c⁴, the lowest rank having no break on the third c in order to create a doubling of the 2-foot rank. The instrument was eventually moved to Lille-Fives by Gonzalez, where it was completely rebuilt.Source
E61951Built on a composition drawn up by Marcel Dupré and with part of the pipework recovered from the organ previously built by Mutin.1981Miscellaneous interventions by Gonzalez, among which new wind chests. 1994The organ was dismantled in 1994 by Marc Hédelin in order to allow the rehabilitation of the former Conservatoire National Supérieur de Musique into the Conservatoire à rayonnement régional de Paris1997Major reconstruction of the organ by Bernard Dargassies. The wind chest of the Positif has not been taken back. It was reassembled into two new expressive chambers; the Zinc-Montres are fake. The console, now mobile, has been restored and repackaged according to the new composition of the stops. The transmission is multiplex + MIDI.
The Jacquot-Lavergne organ replaced a Charles Mutin instrument (II/22) dating from 1911. It featured the famous Plein-Jeu known as “du Conservatoire”, developed by Mutin and Guilmant, based on 1 1/3, with breaks on f², c³, f³ and c⁴, the lowest rank having no break on the third c in order to create a doubling of the 2-foot rank. The instrument was eventually moved to Lille-Fives by Gonzalez, where it was completely rebuilt.Source